~FREE PDF ♔ Billard um halb zehn ⚔ Heinrich Böll – Azizisuperservice.se

~FREE PDF ⚖ Billard um halb zehn ☲ Heinrich B Ll S Well Known, Vehement Opposition To Fascism And War Informs This Moving Story Of Robert Faehmel After Being Drawn Into The Second World War To Command Retreating German Forces Despite His Anti Nazi Feelings, Faehmel Struggles To Re Establish A Normal Life At The End Of The War He Adheres To A Rigorous Schedule, Including A Daily Game Of Billiards When His Routine Is Breached By An Old Friend From His Past, Now A Power In German Reconstruction, Faehmel Is Forced To Confront Both Public And Private Memories Heinrich B ll is my HERO His books have their own bookshelf in my home and hold a special place in my heart.Billiards at Half Past Nine was the first book I read by him during my university years and its effect was instant and enormous Afterwards I read his books in a row one after the other.B ll s strong sense of justice, his representation of Truth is shining through his works like the desert SUN It is blinding, burning and merciless, there are no shadows to hide in The TRUTH is there, very much in your face you cannot conveniently close your eyes and ignore it I guess B ll s literary work facing the truth, no matter how hard it gets was essential and instrumental for a German society recovering after the devastating WW II He was a widely read and acknowledged author, but also widely spurned for the same reasons, at the same time.His literary technique is very typical , easily recognizable Reading his books is like putting together a puzzle Pieces get offered from different people s perspectives, the story is getting deeper and complex as flashbacks and memories of several characters are written in the first person, yet they all get filtered by an omniscient narrator Gradually, we get full access to characters and their stories by their own memories as well as through the perspectives of others, we can see them from all sides and it is intriguing as well as emotionally involving A highly recommended read. 466 Billard um halb zehn Billiards At Half Past Nine, Heinrich B llBilliards at Half Past Nine is a 1959 novel by the German author Heinrich B ll It reflects the opposition B ll, who won the Nobel Prize for Literature in 1972, had to the period of Nazism as well as his aversion to war in general The entirety of the narrative takes place on the day of September 6, 1958 but the story stretches back through the use of flashbacks and the retelling of memories of the characters It focuses on the Faehmel family s history starting from the end of 19th century until the present day of 1958 2011 Heinrich B ll with his eternal cigaretteSometimes the Swedish Academy does get things right, and one of these times was the award of the Nobel Prize in 1972 to Heinrich B ll 1917 1985 , the year after he published the excellent Gruppenbild mit Dame though probably my favorite is Ansichten eines Clowns, whence the above quote is taken I have just re read one of his better early novels, Billard um halbzehn 1959 , and am once again seduced by the many fine qualities of his prose Though those of my generation may roll their eyes at this truism, it could well be the case that members of recent generations are unaware that, for completely understandable reasons, in the first decade after World War II the German people had no desire to dwell on what had occurred from 1933 to 1945 After all, they were hungry, their cities were in ruins, their country was divided in two and occupied by four foreign powers, just to mention a few things In East Germany the Communist Party was able to blame the other Germans a stance which the East German people were gratefully able to adopt while in West Germany conservative capitalists had taken over the reins again after only a brief interruption and did not want anyone looking too closely at what they did during the war This began to change a bit during the late 50 s and early 60 s after the Economic Miracle of the 50 s had greatly improved the standard of living in the Federal Republic B ll was one of the first significant German authors to deal with WW2 already in 1949 he published Der Zug war p nktlich, set in 1943, in which he, among other things, displayed the inhumanity of the values of that time But already in that early text he was no one note Charlie Indeed, in another famous quote B ll said that the most important topics for him were religion and love So, though WW2 plays an important role in Billard um halbzehn, quite a bit is going on in this tale of three generations of architects, the F hmel family, leading up to the fateful 80th birthday of the eldest, Heinrich B ll artfully eases into his story by introducing the F hmel s through the eyes of the secretary of F hmel 2, Robert, with humor and foreboding B ll s third person narrator moves among the characters and follows their thoughts and, above all, their memories, jumping through time from as early as 1894 till the novel s present, 1958 The reader must piece together the story from this kaleidoscope, but B ll does not make this difficult In fact, there is a hint of the pleasure of reading a well written detective story as the pieces slowly fall together At the same time an ominous tension is established and increased until the final explosion Within this rich story of the intertwined lives of multiple generations, of joy and loss, of ambition and futility, betrayal and forgiveness, subservience and resistance, is mixed the many different ways people could and did choose to act during the period 1933 1945 and the price each had to pay for their choices At the same time, B ll also addresses the ways in which Germans dealt with the consequences of these choices in the emerging postwar society All the while, even when evoking the former Nazi who became an important figure in the postwar reconstruction or when Robert is being whipped with barbed wire, B ll s limpid prose flows smoothly and calmly, never psychologizing and occasionally revealing a wry humor that had me laughing aloud The old hotel porter, Jochen, is priceless This is one of B ll s generous handful of outstanding books The well known quote by B ll means Atheists bore me, they are always talking about God Not actually relevant here, but I like the photo Available in English translation under the title Billiards at Half Past NineCologne Heinrich B ll s hometown and the primary setting for Billard um halbzehn Rating A very hard book to rate and at times read , but in the end I felt that Billiards at Half Past Nine promised, or suggested, than it could ever deliver I have no idea whether Boll had admired or read Faulkner, but Billiards, both structurally, with its constantly changing voices, and thematically National Sin , certainly reminded me of Absalom, Abasalom But Faulkner hit a home run with his novel one the greatest in American Literature , and Boll, with his attempt to reconcile the past with the present, blinked Nothing could better capture the difference than Faulkner s ending image of a rotting mansion, and Boll s abbey shaped like a cake Boll s attempt to signal Hope doesn t seem yet earned In fact, far from it Don t get me wrong, there are soaring passages in Boll s novel that rival anything I ve read in literature But he has set up some interesting and inhibiting filters, the primary one being German Catholicism, which operates culturally as well as religiously throughout the novel Both are reflected in the multi generation fortunes of the Faehmel family Faith, death, suicide, Nazism, madness, and, well, architecture Romanesque or Gothic , it s all there That said, the Faemels are generally good people who have had to negotiate through the dark historical waters of Germany s militaristic past Boll throws his net wide, covering the pre World War I period Interestingly, the name Hitler as far as I can recall is never mentioned, and the Jews only once Instead, it s Hindenburg, who is constantly referred to as the Beast I m assuming Boll sees Hindenburg as the fatal, militaristic choice of many Germans Boll numbingly reminds us throughout the novel of those who took the Host of the Beast And Hindenburg, of course, opened the political path for Hitler It s implicit, but perhaps too much so, given the shadows Hitler and the Holocaust still cast. Some of the most beautiful writing ever in this book Don t encourage the frozen memory to thaw such frost flowers would only turn into dull dirty water and run down the pane Evoke nothing, never expect to bring back childhood s austerity of feeling in adult souls grown soft Memory can be messy What a father remembers may look completely different from how a son remembers it This is especially true with a war thrown into the mix because suddenly the world stands on it s head and spins backwards especially if that war took place in Germany Billiards is about one German family, specifically three generations of men in the family all architects who build, demolish, and rebuild over the course of the war However, don t be fooled by simple explanations this book is SO much than the actual events that took place because the story unravels as each of the characters take their turn to detail the inner ramblings of their mind s past Each point of view tells part of the past which becomes relevant on one present day and centers around St Anthony Abbey Billiards is one of the most stylistically brilliant books I have ever read Read this book like you would eat an expensive fillet Boll s sentences must be chewed thoroughly and savored Throughout this book I was slightly confused trying to piece the names, places and events together Do not read this book if you enjoy being told EXACTLY what to think by an author Instead, this book does an excellent job making you feel like a confused outsider much like the characters felt surviving in Nazi Germany The story starts to make sense a little than halfway through Read this book if you enjoyed Memento. B ll wants to get a very strong moral message across that is very upfront At times it can feel like you are being lectured to But in the end, the force of that message, the story and the characters prevail I was so overwhelmed by the different themes and ideas that I ended up drawing a mind map of them to be able to get it straight in my head Some scenes like when a man who was arrested by the Nazis explains to his persecutor many years later why it s OK to ask the waiter to pack up your remaining food as a doggy bag as a metaphor for concerns about status and pride have stayed with me One of the few books I ve gone back to re read. It has been almost a month and seems much longer since i finished reading this book It has been sitting next to this keyboard ever since I haven t discussed it with friends I haven t been tempted to share my thoughts in any way That s about as tepid a 4 star assessment as possible 1 of all 1s completely disregard any blurbs to the effect of The interruption of this routine by an old schoolmate and former Nazi who has become a power in German reconstruction triggers a conflict both absorbing and profound This blurb would have you believe that s just the beginning and that there s a lot of story that follows Completely misleading If possible, read the book having forgotten everything i wrote in the previous paragraph except for the part about ignoring blurbs.Embarrassing personal revelation 1 i horribly misread Chapter 4 in which the sometimes focused omniscient and sometimes 1st person narrator s perspective becomes that of papa Faehmel aka Heinrich, aka the architect, aka the selfmademan I, however, continued to read as if in the mind of Robert, his surviving son aka the robot, aka the destroyer, aka theruin ed man , whose perspective held sway in Ch 3.Embarrassing personal revelation 2 Sadly, the point of view in Ch 5 befuddled me even than Ch 4 s 1st page note Took me forever to get that the perspective is Edith s Robert s wife Bottom of 3rd page i noted, 3rd try reading the first 3 pp and still NOT Edith Robert s perspective, still Top of 4th page i wrote that maybe it s Heinrich but i must be misreading something On the 8th page i thought it might be Robert s mom, in hospital demented And finally, funniest of all, at the top of the 9th page i wrote, Okay, no, the narrator in this chapter is Johanna, Robert s wife emphasis mine I was almost halfway through the novel and i still didn t know the names, family, relationships Johanna is Robert s mother, in the hospital, and Heinrich s wife Combine that with failing to catch that the narrative point of view shifted from Robert in Ch 3 to his father Heinrich in Ch 4, and you get an annoying confusion about the narrator in Ch 5 Shame on me After identifying Ch 5 s narrator, i finally figured out this scheisse in which i am the scheissekopf of changing narrators with little to no changes in voice.Therefore, a even though it s gotta be fun to make these realizations for yourselves, b because it s much less fun to feel lost than it is to feel challenged and that s what i was almost hopelessly lost , and c perhaps out of sympathy, i offer the following summary of narrators.Ch 1 Leonore, the family architectural firm s secretary gives her view of her boss and her boss s father on the day of the boss s father s 80th birthday Ch 2 Strangely, told from the perspective of Jochen, an old desk clerk at the hotel where Faehmel the Younger plays billiards in strict privacy every day at the same time.Ch 3 At last, the mysterious boss Robert Faehmel going about his secret life Ho fugging hum Sorry, folks, it s nothing scandalous or interesting He s a regular guy except that he s a nutter for sameness and consistency.Ch 4 Robert s father s life story The book is set on his 80th birthday, so why not a little autobiography from a guy who almost literally created himself.Ch 5 Johanna, Robert s mother, narrates from inside the sanatorium leading up to and following a visit from her son and or husband, but not during Ch 6 Back to Robert.Ch 7 Pingponging between Schrella Robert s childhood friend finally returned from exile and Nettlinger the alleged catalyst mentioned in the blurbs that you should ignore.Ch 8 Joseph, Robert s son, narrates an architect in training his father grandfather are also architects, but of very different stripes as does his fianc e Marianne.Ch 9 Schrella again.Ch 10 Robert again his daughter Ruth.Ch 11 More from Johanna, this time she s talking to the general under whom her son served in World War II and narrating her plan for her husband s birthday party.Ch 12 13 Narrative orgy.Character Plotishness Notes Robert Faehmel is Mr Rigid He does the same thing at the same place at the same time every day He s a lot like his dad Heinrich, actually They re both architects They both served in World Wars They both lost figuratively and or literally children spouses to during as a result of those wars Allegedly everything is thrown off balance because a couple characters from his past show up today on his father s 80th birthday One of them is Schrella, a friend he s been hoping to see ever since the Nazi era The other is one of his childhood adolescence s tormentors who turned into a full blown Nazi scumbag Robert s mom is in the nuthouse embarrassing personal revelation 3 i didn t notice remember why, but all the blurbs i ve read say she either tried to save some Jews being forced onto trains or she tried to get on Joseph isn t sure if he wants to be an architect and coincidentally today discovers a dark family secret will he tell his father his mother his grandfather anybody Maybe he shouldn t go to the big birthday party for grampa tonight Maybe nobody should Gramma s gonna be there, though, and the rest of the family Did i mention there also happens to be a political rally right outside the very hotel where Robert plays billiards every day on the very night that the Faehmels are having a pre birthday party at the hotel Imagine that Other randumb thoughts Though the novel takes place in one day, there are so many flashbacks that that assessment is overly simple It s no Seinfeld episode, let s just put it that way.The billiards metaphor and the Naturalism color stuff red green white white green red green red red white white green ad nauseam didn t do nothin for me neither I ll need to read what others had to say about it and rethink And what s with this whole The Host of the Beast thing It really annoyed me In German, it s probably one really cool smooshedtogetherword, but the English phrase is clunky and annoying and its implication leads me to utter spontaneously Bah Humbug I finally bothered to look up the phrase and found this quote from Reading with Feeling that is ironically appropriate to my reaction communion, as well as background knowledge about a contrasting phrase also provided in the text, the lamb of God, will likely affect how one responds to the phrase, the host of the beast, and whether one responds to it at all Author Susan L Feagin goes on These associations link the phrase the host of the beast sigh with a sense of ritual, mystery, and horror, and its repetition encourages mantralike and mystical allusions that are reinforced every time the phrase is used For me, exasperation is not ritualistic, mysterious, or horrifying Maybe the reader must be a staunch Roman Catholic, or anybody else who s likely to revere The Host as being The Actual Christ As a not Lutheran, the metaphor is a dud.The translation Strange Felt very slangy, very 70s guess it would be 60s cuz it was 1962 , especially at the beginning Possibly limited almost exclusively to Jochen s voice as narrator POV in Ch 2 That, too, put me off a bit I didn t expect the language to be so time bound The perfect example from Jochen s chapter is I can tell if they re out for a shack job even before they step out of the taxi OK, maybe that s not the perfect example because it s the working class guy s inner monologue.I feel concerned about translations though when i come across inscrutable sentences such as, They had had none of the bravado of peace too long diked up WTF is that supposed to mean, None of the bravado of peace had been diked up in them TOO LONG I honestly can t parse that sentence into something intelligible without ignoring some of its words I won t doubt the integrity of the entire translation, but doubt crept in and made itself heard occasionally from there almost to the end.Maybe this book deserves another reading, but i doubt i ever will bother Maybe it would touch me upon rereading Maybe i would finally feel the psychological damage of being a middle aged or older German in the late 1940s, cuz i think that s what he s going for The form pushed me away from it, though Was that the point Was he trying to shield me from his revelation Psst, hey buddy, i have something incredibly important in this briefcase that you might wanna see, he says as he squirts me with mace fits me with the world s darkest blue blocker shades.CONCLUSION i wasn t man enough to think myself big enough to give this book written by a Nobel laureateonly 3 stars at first I still don t feel big enough, but i m doing it anyway I don t think you ll hate it, but i don t want to recommend it either.That was my original CONCLUSION, but then i leafed through the entire book looking for all my marginal notes and was reminded how redeemed everything felt by the end I felt connected to the characters eventually I could begin to wonder if i d glimpsed a hint of why B ll wrote this novel and why he wrote it this way And now i m torn between 3 and 4 stars, which is a crucial distinction for me, obviously I found in the last 25 33% a semblance of understanding why these folks were so crazy and how B ll s saying this craziness was caused by sigh The Host of the Beast s tainting of their entire society I almost feel willing to say 4 stars but i just don t dig me no moralist political fiction and i can t get past either of those aspects of this novel Final verdict guilty of 3 starsworthy novelty. The functioning of my memory could possibly be compared to my attempts at playing billiards Not really knowing the rules, not knowing the techniques, not understanding the meaning of the coloured balls spread out over the green cloth table, I take a queue and make a random decision to hit one ball In the best of cases I succeed, but then a chain reaction of uncontrolled further action takes place, and under no circumstances do I ever manage to conclude what will be the effect of my initial trial The billiards game of my memory led me here today.I was engaged in a discussion on human constructive and destructive behaviour, and like the white ball on a billiards table, the discussion kicked off a memory chain reaction leading me back to this novel, a once in a lifetime reading experience not only for its important content in itself, but also because of the initiation rite into B ll s world that it constituted, after some school attempts at his shorter fiction.It is Buddenbrooks all over again, and yet so much darker, and at the same time lighter Families build close relationships only to know how to hurt each other best They have ambitions in the name of the shared name, only to betray the most cherished ideals of the clan as soon as they get a chance They are exclusive clubs, and yet each member brings the flavour of the outside world into the explosive Molotov cocktail Heinrich B ll loves to describe the Tr mmerlandschaft that became his theme and his literary writing style as well And nothing symbolises the architecture of German history better than the fate of the builders and buildings in a family that lives through the darkest times in German memory And like a construction rising on the ruins of a destroyed culture, Billiard um halb zehn stands for the regenerative forces at work even in the most hopelessly lost civilisations.If you manage to dig through the rubble and shards of this collapsed story, you will see that the puzzle makes sense, and that the billiards table is a cosmos full of life to be studied and cherished There are rules, but it is hard to follow them even if you try It is amazing how a prose can be so effortlessly beautiful and meaningful at the same time It is also such a rarity The novel takes place during one day in 1958 in Cologne It is focused on the 3 generation of the family of architects getting to grips with the trauma inflicted on them by their compatriots and by the defeat in the war It reminds also that the spectre of Evil is never far away it just reincarnates into different shapes and forms But the novel refuses to be deductive and does not have any recipe how to fight it though It asks the question what is better to build or to destroy To destroy something which has been built earlier, which might have been a wrong symbol Or the symbol which did not safe anything or anyone Or is the act of creation and destruction are the part of the same process Hegel with his unity and conflicts of the opposites comes to mind.But apart from being cold and reflective, the novel possesses a great emotional power It reminds us that there were many Germans who never supported the Nazis and they were the victims as well as everyone else But we rare spare the thoughts for them There is certainly the element of the universal truth in this for any war we deserve all dignity for the winners There were a few places in this novel that moved me close to tears, which is extremely rare for me And the style of the narrative is sophisticated, but not for a single moment feels laboured Brilliant book.